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Kasabian

kasabian

KASABIAN

48:13 

Sony/Columbia 

 

Sporting perhaps the least imaginative album title and cover ever, Kasabian’s fifth album serves up more of the electro-infused arena rock they’ve become known for. It’s a formula that’s showing signs of getting tired here, but a handful of tracks are as catchy as anything they’ve done this decade.

Bumblebee is the kind of upbeat, chant-along rocker destined for prime airing in their festival setlist, while Stevie is the highlight of the album, a brooding force that manages to get away with a chorus (‘All the kids say, / Live to fight another day’) destined for use in a Hollywood blockbuster. Penultimate track, Bow, is another stadium-filling anthem that plays to the band’s strengths, but outside of these three 48:13 is largely uninspiring.

Lyrically, the album is dominated by the sort of vague arena rock platitudes about inequality and the wrongs of the world today that suggest a half-hearted aim to be a ‘serious band’. The worst offenders here are Eez-eh and Glass, which closes with a lengthy and incongruous call to arms from spoken-word artist, Suli Breaks.

On 48:13, Kasabian have bolstered their live setlist with a few genuinely good singles, but most of the rest of the album will quickly be forgotten.

 

KEIRON COSTELLO

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